History of Medicine
The invention of the printing press in the 1450s, and the development of woodcut and copperplate engraving, made it possible to publish multiple copies of illustrated anatomies. Whimsical, surreal, beautiful, and often grotesque, the new anatomical images were rendered with varying degrees of skill and sophistication, in a hodge-podge of styles.
After the publication of the first modern anatomy, Vesalius’s revolutionary De Humani Corporis Fabrica (1543), illustrations in the Vesalian manner proliferated. But images with limited or no Vesalian influence continued to be featured in surgical manuals, almanacs, encyclopedias, and philosophical treatises, alongside discussions of astrology, alchemy, and theology.
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Fascination with the interior of the body goes back to the dawn of humanity. The ancient Egyptians had specialized knowledge in some areas of human anatomy, which they used in mummification and, to a limited degree, surgery. Even before the advent of large organized cultures, prehistoric peoples performed rituals with remains that indicate familiarity with gross anatomy. Because they hunted and slaughtered large animals for food, the Inuit and Australian aborigines, developed a detailed knowledge of mammalian anatomy, and a complex vocabulary of anatomical terms, which they applied to animals and humans.
Rock paintings dating back to the Neolithic in Europe, Africa, and Australia show schematic and expressive representations of the human interior, as do some European, Islamic and Asian pre-modern manuscripts.
Anatomical manikins and diagnostic dolls
Between 1500 and 1800, anatomical knowledge based on human dissection circulated mainly among Europe’s educated elite, in the form of books, copperplate engravings, demonstrations and lectures in universities, museums and libraries. But anatomical knowledge also circulated in less lofty social locations, venues and media: in traveling shows, cheap publications, loose woodcuts—and small "anatomical manikins" carved from ivory and wood.
The public regarded anatomical dissection as a curiosity, a wonder of the age. Small, intricately carved, ivory "manikins," that opened to show the internal organs, represented this wonder. They also represented the physical difference between male and female, always a topic of interest, and may have been used as "diagnostic dolls" to help physicians and midwives explain a diagnosis to patients. Manikins typically came in pairs: a male and pregnant female. The artistry and anatomy were usually crude, but the figures were also sometimes deliberately whimsical.