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Romanae archetypae tabulae anatomicae novis..., Rome, 1783

Body Part as Body Art

Lorem ipsum dolor sit amet, consectetur adipiscing elit.

Egestas purus viverra accumsan in nisl. Vulputate dignissim suspendisse in est ante in nibh mauris cursus. Consectetur purus ut faucibus pulvinar elementum integer enim neque volutpat. Massa sapien faucibus et molestie ac feugiat sed lectus vestibulum. Id diam vel quam elementum pulvinar etiam. Tristique sollicitudin nibh sit amet commodo nulla facilisi. Odio euismod lacinia at quis risus sed vulputate odio.

Egestas purus viverra accumsan in nisl. Vulputate dignissim suspendisse in est ante in nibh mauris cursus. Consectetur purus ut faucibus pulvinar elementum integer enim neque volutpat. Massa sapien faucibus et molestie ac feugiat sed lectus vestibulum. Id diam vel quam elementum pulvinar etiam. Tristique sollicitudin nibh sit amet commodo nulla facilisi. Odio euismod lacinia at quis risus sed vulputate odio.

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    Romanae archetypae tabulae anatomicae novis..., Rome, 1783

    • Bartolomeo Eustachi (d. 1574) |Hand colored copperplate engraving

    A skeleton jauntily points to the top of the page. Its pelvis is fused to the top of a columnar pedestal, metaphorically suggesting the structural functions of hips and legs. The quartet of giant eyeballs and colorization are 18th-century additions.

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    Colored figure of a man, showing his back, with his hand on his hip, showing skeletal structure

    Romanae archetypae tabulae anatomicae novis..., Rome, 1783

    • Bartolomeo Eustachi (d. 1574) |Hand colored copperplate engraving

    A skeleton jauntily points to the top of the page. Its pelvis is fused to the top of a columnar pedestal, metaphorically suggesting the structural functions of hips and legs. The quartet of giant eyeballs and colorization are 18th-century additions.