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Exhibition

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Introduction

In the late 19th century, at a time when women were challenging traditional ideas about gender that excluded them from political and intellectual life, medical and scientific experts drew on notions of female weakness to justify inequality between the sexes. Artist and writer Charlotte Perkins Gilman, who was discouraged from pursuing a career to preserve her health, rejected these ideas in a terrifying short story titled “The Yellow Wall-Paper.” The famous tale served as an indictment of the medical profession and the social conventions restricting women’s professional and creative opportunities.

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The Author’s Life

Founded a year before Charlotte enrolled, the Rhode Island School of Design offered a place for her to hone her creativity. Women played a prominent role at the school. Many of the founders, leaders, and financial supporters were women.

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The Woman Question

After a month of treatment by Mitchell, Charlotte was sent home to continue the regimen of rest. Far from getting better, she became increasingly distressed and began to fear that the method was bad for her health. She decided to end the rest cure and her marriage.

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A Terrifying Tale

The story ends with the narrator’s husband discovering his wife maniacally circling the bedroom, surrounded by the tattered shreds of paper she has torn from the walls. He faints at the sight.

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Reading “The Yellow Wall-Paper”

Scudder rejected the piece outright. Instead, “The Yellow Wall-Paper” was published more than a year after it was written, in The New England Magazine, in January 1892. Readers were intrigued and disturbed.

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The Author's Legacy

While some 19th-century readers did appreciate the message hidden in “The Yellow Wall-Paper,” the story also resonated with many in the women’s movement of the 1970s. Since their rediscovery of the tale, the text has been republished many times, continuing to enthrall audiences more than a century after it was written.

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